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Literature

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———. "Guide to Sound Objects: Pierre Schaeffer and Musical Research." Paris, 2010. Editions Buchet/Chastel. John Dack/Christine North <http://www.ears.dmu.ac.uk/IMG/pdf/Chion-guide/>.

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Software. "For Sound and Computer Assited Composition: Ircam Forum: Open Music, Audiosculpt, Spat, Diphone and." <Modalys, with manuals. Also containing libraries for Open Music and for Max/msp, with documentation. Downloads for members: http://forumnet.ircam.fr/

MaxMsp, with manuals: http://www.cycling74.com/

Soundhack; http://soundhack.com/

Csound with manuals and utilities: http://csounds.com/

Finale; http://finalemusic.com/

Ambisonics for MaxMsp and relevant articles for download; http://www.icst.net/

Jamoma for MaxMsp http://jamoma.org/

Melodyne http://www.celemony.com/cms/

Reaper http://www.reaper.fm/

Harpex http://harpex.net/

Wave Editor http://www.audiofile-engineering.com/

Soundfield plug-ins http://www.soundfield.com/>.

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Turetzky, Bertram. The Contemporary Contrabass, Los Angeles: University of California Press, 1989.

Vitale, Wayne. "Balinese Kebyar Breaks the Five-Tone Barrier: New Composition for Seven-Tone Gamelan." Perspective of New Music. 40, No. 1 (2002): 5-69.

Wishart, Trevor. On Sonic Art, Harwood Academic Publishers, 1996.

Xenakis, Iannis. Formalized Music [ Translated From French Edition (1955-65)], Hilsdale, NY: Pendragon Press, 1992.


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