Notam provided and rented speakers and equipment. The space was dry, and Cato Langnes placed additional microphones to add some reverb to the instruments, routed to nearest speaker in the outer circle of speakers. The voices were amplified by nearest speakers as suggested by the score. All microphones were used for a 16 track recording of the concert.
Stine [Shure Beta 58].
Maria [Shure Beta 58].
Liv [Shure Beta 58].
Anita [Shure Beta 58].
Eva [Shure Beta 58].
Violin I, bassoon and horn [DPA 4015].
Violin II, bass clarinet [DPA 4015].
Viola, oboe and trombone [DPA 4015].
Cello and flute [DPA 4015].
Contrabass and trumpet [DPA 4015].
Percussion I [pair of AKG 460].
Percussion II [pair of AKG 460].
Harp [Neumann 140].
Celesta [Neumann 140].
Microtonal organ monitor [subwoofer mix directly from the organ patch].
Soundfield ST350 microphone close to the conductor.
A Behringer 32X mixer allowed a flexible setup.
1 Thanks to Cato Langnes for details about the setup.